18ª edición dos Óscar

A 18.ª entrega dos premios Óscar tivo lugar o día 7 de marzo de 1946 no Grauman’s Chinese Theatre dos Ánxeles. Os mestres de cerimonias foron James Stewart e Bob Hope.

PremiosEditar

Os gañadores aparecen en primeiro lugar e en grosas.

Mellor filme	Mellor director
Charles Brackett para Paramount Pictures - A fin de semana perdida Joe Pasternak para Metro-Goldwyn-Mayer - Levando áncoras Leo McCarey para RKO Radio Pictures - The Bells of St. Mary's Jerry Wald para Warner Bros. - Mildred Pierce David O. Selznick para United Artists - Spellbound	Billy Wilder – A fin de semana perdida Clarence Brown – National Velvet Alfred Hitchcock – Spellbound Leo McCarey – The Bells of St. Mary's Jean Renoir – The Southerner
Mellor actor	Mellor actriz
Ray Milland – A fin de semana perdida Bing Crosby – The Bells of St. Mary's Gene Kelly – Levando áncoras Gregory Peck – The Keys of the Kingdom Cornel Wilde – A Song to Remember	Joan Crawford – Mildred Pierce Ingrid Bergman – The Bells of St. Mary's Greer Garson – The Valley of Decision Jennifer Jones – Love Letters Gene Tierney – Que o ceo a xulgue
Mellor actor secundario	Mellor actriz secundaria
James Dunn – A Tree Grows in Brooklyn Michael Chekhov – Spellbound John Dall – The Corn Is Green Robert Mitchum – The Story of G.I. Joe J. Carrol Naish – A Medal for Benny	Anne Revere – National Velvet Eve Arden – Mildred Pierce Ann Blyth – Mildred Pierce Angela Lansbury – The Picture of Dorian Gray Joan Lorring – The Corn Is Green
Mellor guión orixinal	Mellor guión adaptado
Marie-Louise – Richard Schweizer Music for Millions – Myles Connolly Salty O'Rourke – Milton Holmes What Next, Corporal Hargrove? – Harry Kurnitz Dillinger – Philip Yordan	A fin de semana perdida – Charles Brackett e Billy Wilder The Story of G.I. Joe – Leopold Atlas, Guy Endore e Philip Stevenson A Tree Grows in Brooklyn – Frank Davis e Tess Slesinger Mildred Pierce – Ranald MacDougall Pride of the Marines – Albert Maltz
Mellor argumento	Mellor curtametraxe de animación
The House on 92nd Street – Charles G. Booth Objective, Burma! – Alvah Bessie The Affairs of Susan – László Görög e Thomas Monroe A Song to Remember – Ernst Marischka A Medal for Benny – John Steinbeck e Jack Wagner	Quiet Please! Donald's Crime Jasper and the Beanstalk Life with Feathers Mighty Mouse in Gypsy Life The Poet and Peasant Rippling Romance
Mellor documental	Mellor curtametraxe de animación
The True Glory The Last Bomb	Hitler Lives? Library of Congress To the Shores of Iwo Jima
Mellor curtametraxe de ficción, un rolo	Mellor curtametraxe de ficción, dous rolos
Stairway to Light – Herbert Moulton e Jerry Bresler Along the Rainbow Trail – Edmund Reek Screen Snapshots' 25th Anniversary – Ralph Staub Story of a Dog – Gordon Hollingshead White Rhapsody – Grantland Rice Your National Gallery – Joseph O'Brien e Thomas Mead	Star in the Night – Gordon Hollingshead A Gun in His Hand – Chester Franklin The Jury Goes Round 'N' Round – Jules White The Little Witch – George Templeton
Mellor banda sonora, comedia ou drama	Mellor banda sonora, musical
Spellbound – Miklos Rozsa Guest Wife – Daniele Amfitheatrof The Story of G.I. Joe – Louis Applebaum e Ann Ronell Flame of Barbary Coast – Dale Butts and Morton Scott The Bells of St. Mary's – Robert Emmett Dolan Brewster's Millions – Lou Forbes The Woman in the Window – Hugo Friedhofer e Arthur Lange The Man Who Walked Alone – Karl Hajos O capitán Kidd – Werner Janssen Guest in the House – Werner Janssen The Southerner – Werner Janssen G. I. Honeymoon – Edward J. Kay The Keys of the Kingdom – Alfred Newman A fin de semana perdida – Miklos Rozsa A Song to Remember – Miklos Rozsa e Morris Stoloff This Love of Ours – H. J. Salter The Valley of Decision – Herbert Stothart Paris Underground – Alexander Tansman Objective, Burma – Franz Waxman The Enchanted Cottage – Roy Webb Love Letters – Victor Young	Levando áncoras – Georgie Stoll Incendiary Blonde – Robert Emmett Dolan Wonder Man – Lou Forbes e Ray Heindorf Why Girls Leave Home – Walter Greene Rhapsody in Blue – Ray Heindorf e Max Steiner State Fair – Charles Henderson e Alfred Newman Sunbonnet Sue – Edward J. Kay Can't Help Singing – Jerome Kern e H. J. Salter Belle of the Yukon – Arthur Lange The Three Caballeros – Edward Plumb, Paul J. Smith e Charles Wolcott Hitchhike to Happiness – Morton Scott Esta noite e tódalas noites – Marlin Skiles e Morris Stoloff
Mellor canción	Mellor son
*"It Might as Well Be Spring" de State Fair* – Música de Richard Rodgers; Letra de Oscar Hammerstein II** "Accentuate the Positive]]" de Here Come the Waves – Música de Harold Arlen; Letra de Johnny Mercer "Anywhere" de Esta noite e tódalas noites – Música de Jule Styne; Letra de Sammy Cahn "Aren't You Glad You're You" de The Bells of St. Mary's – Música de James Van Heusen; Letra de Johnny Burke "The Cat and the Canary" de Why Girls Leave Home – Música de Jay Livingston; Letra de Ray Evans "Endlessly" de Earl Carroll Vanities – Música de Walter Kent; Letra de Kim Gannon "I Fall in Love Too Easily" de Levando áncoras – Música de Jule Styne; Letra de Sammy Cahn "I'll Buy That Dream" de Sing Your Way Home – Música de Allie Wrubel; Letra de Herb Magidson "Linda" de The Story of G.I. Joe – Música e letra de Ann Ronell "Love Letters" de Love Letters – Música de Victor Young; Letra de Eddie Heyman "More and More" de Can't Help Singing – Música de Jerome Kern; Letra de E. Y. Harburg "Sleighride in July" de Belle of the Yukon – Música de James Van Heusen; Letra de Johnny Burke "So in Love" de Wonder Man – Música de David Rose; Letra de Leo Robin "Some Sunday Morning" de San Antonio – Música de Ray Heindorf e M. K. Jerome; Letra de Ted Koehler	The Bells of St. Mary's – Stephen Dunn, RKO Radio Studio Sound Department A Song to Remember – John P. Livadary, Columbia Studio Sound Department The Southerner – Jack Whitney, General Service They Were Expendable – Douglas Shearer, MGM Studio Sound Department The Unseen – Loren L. Ryder, Paramount Studio Sound Department Three Is a Family – W. V. Wolfe, RCA Sound Flame of Barbary Coast – Daniel J. Bloomberg, Republic Studio Sound Department Wonder Man – Gordon Sawyer, Samuel Goldwyn Studio Sound Department Que o ceo a xulgue – Thomas T. Moulton, Fox Studio Sound Department Lady on a Train – Bernard B. Brown, Universal Studio Sound Department The Three Caballeros – C. O. Slyfield, Walt Disney Studio Sound Department Rhapsody in Blue – Nathan Levinson, Warner Bros. Studio Sound Department
Mellor dirección de arte, branco e negro	Mellor dirección de arte, cor
Sangue sobre o sol – Dirección artística: Wiard Ihnen; Decorados: A. Roland Fields The Keys of the Kingdom – Dirección artística: James Basevi e William S. Darling; Decorados: Thomas Little e Frank E. Hughes Noite na alma – Dirección artística: Albert S. D'Agostino e Jack Okey; Decorados: Darrell Silvera e Claude Carpenter Love Letters – Art Decoration: Hans Dreier e Roland Anderson; Decorados: Sam Comer e Ray Moyer The Picture of Dorian Gray – Dirección artística: Cedric Gibbons e Hans Peters; Decorados: Edwin B. Willis, John Bonar e Hugh Hunt	Frenchman's Creek – Dirección artística: Hans Dreier e Ernst Fegte; Decorados: Sam Comer National Velvet – Dirección artística: Cedric Gibbons e Urie McCleary; Decorados: Edwin B. Willis e Mildred Griffiths A Thousand and One Nights – Dirección artística: Stephen Goosson e Rudolph Sternad; Decorados: Frank Tuttle San Antonio – Dirección artística: Ted Smith; Decorados: Jack McConaghy Que o ceo a xulgue – Dirección artística: Lyle Wheeler e Maurice Ransford; Decorados: Thomas Little
Mellor fotografía, branco e negro	Mellor fotografía, cor
The Picture of Dorian Gray – Harry Stradling Spellbound – George Barnes Mildred Pierce – Ernest Haller The Keys of the Kingdom – Arthur C. Miller A fin de semana perdida – John F. Seitz	Que o ceo a xulgue – Leon Shamroy The Spanish Main – George Barnes A Song to Remember – Tony Gaudio e Allen M. Davey Levando áncoras – Robert Planck e Charles P. Boyle National Velvet – Leonard Smith
Mellor montaxe	Mellores efectos especiais
National Velvet – Robert J. Kern Objective, Burma! – George Amy A fin de semana perdida – Doane Harrison The Bells of St. Mary's – Harry Marker A Song to Remember – Charles Nelson	Wonder Man – Fotografía: John P. Fulton; Son: Arthur Johns A Thousand and One Nights – Fotografía: Lawrence W. Butler; Son: Ray Bomba Spellbound – Fotografía e son: Jack Cosgrove They Were Expendable – Fotografía: A. Arnold Gillespie, Donald Jahraus e R. A. MacDonald; Son: Michael Steinore Captain Eddie – Fotografía: Fred Sersen e Sol Halprin; Son: Roger Heman Sr. e Harry M. Leonard

Oscar honoríficoEditar

Irving G. Thalberg Memorial AwardEditar

Samuel Goldwyn

Academy Juvenile AwardEditar

Claude Jarman, Jr.

Predecesor: 17ª edición dos Óscar	Premios Óscar 18ª edición dos Óscar	Sucesor: 19ª edición dos Óscar