16ª edición dos Óscar

A 16.ª entrega dos premios Óscar tivo lugar o día 2 de marzo de 1944 no Grauman’s Chines Theatre dos Ánxeles. O mestre de cerimonias foi Jack Benny. Foi a primeira que se realizou nun gran recinto público e durou menos de trinta minutos.^[1] Orixinalmente emitida por KFWB, a cerimonia completa foi transmitida internacionalmente por CBS Radio por onda curta.

Foi a última cerimonia ata 2009 con dez candidatas ao mellor filme; The Ox-Bow Incident é (ata 2022) o último filme que só foi candidato nesa candidatura.

Premios editar

Michael Curtiz, mellor director

Paul Lukas, mellor actor

Jennifer Jones, mellor actriz

Charles Coburn, mellor actor secundario

Julius J. Epstein, mellor guión

William Saroyan, mellor argumento orixinal

Hal Mohr, mellor fotografía en cor

George Pal, Óscar honorífico

Os gañadores aparecen en primeiro lugar e en grosas.

Mellor filme	Mellor director
Casablanca For Whom the Bell Tolls Heaven Can Wait The Human Comedy In Which We Serve Madame Curie The More the Merrier The Ox-Bow Incident The Song of Bernadette Watch on the Rhine	Michael Curtiz – Casablanca George Stevens – The More the Merrier Ernst Lubitsch – Heaven Can Wait Henry King – The Song of Bernadette Clarence Brown – The Human Comedy
Mellor actor	Mellor actriz
Paul Lukas – Watch on the Rhine Humphrey Bogart – Casablanca Gary Cooper – For Whom the Bell Tolls Walter Pidgeon – Madame Curie Mickey Rooney – The Human Comedy	Jennifer Jones – The Song of Bernadette Jean Arthur – The More the Merrier Ingrid Bergman – For Whom the Bell Tolls Joan Fontaine – The Constant Nymph Greer Garson – Madame Curie
Mellor actor secundario	Mellor actriz secundaria
Charles Coburn – The More the Merrier Charles Bickford – The Song of Bernadette J. Carrol Naish – Sahara Claude Rains – Casablanca Akim Tamiroff – For Whom the Bell Tolls	Katina Paxinou – For Whom the Bell Tolls Gladys Cooper – The Song of Bernadette Paulette Goddard – So Proudly We Hail! Anne Revere – The Song of Bernadette Lucile Watson – Watch on the Rhine
Mellor guión orixinal	Mellor guión adaptado
Princess O'Rourke – Norman Krasna In Which We Serve – Noël Coward A estrela do norte – Lillian Hellman Air Force – Dudley Nichols So Proudly We Hail! – Allan Scott	Casablanca – Julius J. Epstein, Philip G. Epstein e Howard Koch Watch on the Rhine – Lillian Hellman e Dashiell Hammett Holy Matrimony – Nunnally Johnson The More the Merrier – Richard Flournoy, Lewis R. Foster, Frank Ross e Robert Russell The Song of Bernadette – George Seaton
Mellor argumento	Mellor curtametraxe de animación
The Human Comedy – William Saroyan Shadow of a Doubt – Thornton Wilder The More the Merrier – Robert Russell e Frank Ross Destination Tokyo – Steve Fisher Action in the North Atlantic – Guy Gilpatric	The Yankee Doodle Mouse The Dizzy Acrobat The 500 Hats of Bartholomew Cubbins Greetings, Bait! Imagination Reason and Emotion
Mellor documental	Mellor curtametraxe documental
Desert Victory Baptism of Fire The Battle of Russia Report from the Aleutians War Department Report	December 7th Children of Mars Plan for Destruction Swedes in America To the People of the United States Tomorrow We Fly Youth in Crisis
Mellor curtametraxe de ficción, un rolo	Mellor curtametraxe de ficción, dous rolos
Amphibious Fighters – Grantland Rice Cavalcade of Dance – Gordon Hollingshead Champions Carry On – Edmund Reek Hollywood in Uniform – Ralph Staub Seeing Hands – Pete Smith	Heavenly Music – Jerry Bresler e Sam Coslow Letter to a Hero – Frederic Ullman, Jr. Mardi Gras – Walter MacEwen Women at War – Gordon Hollingshead
Mellor banda sonora, dramática	Mellor banda sonora, musical
The Song of Bernadette – Alfred Newman The Fallen Sparrow – C. Bakaleinikoff e Roy Webb Hi Diddle Diddle – Philip Boutelje The Kansan – Gerard Carbonara A estrela do norte – Aaron Copland Hangmen Also Die – Hanns Eisler Commandos Strike at Dawn – Louis Gruenberg e Morris Stoloff Johnny Come Lately – Leigh Harline Lady of Burlesque – Arthur Lange Victory Through Air Power – Edward H. Plumb, Paul J. Smith e Oliver Wallace The Amazing Mrs. Holliday – Hans J. Salter e Frank Skinner In Old Oklahoma – Walter Scharf Casablanca – Max Steiner Madame Curie – Herbert Stothart The Moon and Sixpence – Dimitri Tiomkin For Whom the Bell Tolls – Victor Young	Velaquí o exército – Ray Heindorf Star Spangled Rhythm – Robert Emmett Dolan The Sky's the Limit – Leigh Harline Coney Island – Alfred Newman Saludos Amigos – Edward H. Plumb, Paul J. Smith e Charles Wolcott Stage Door Canteen – Frederic E. Rich Hit Parade of 1943 – Walter Scharf Something to Shout About – Morris Stoloff Thousands Cheer – Herbert Stothart Phantom of the Opera – Edward Ward
Mellor canción	Mellor son
*"You'll Never Know" de Hello, Frisco, Hello* – Música de Harry Warren; Letra de Mack Gordon** "That Old Black Magic" de Star Spangled Rhythm – Música de Harold Arlen; Letra de Johnny Mercer "A Change of Heart" de Hit Parade of 1943 – Música de Jule Styne; Letra de Harold Adamson "Happiness is a Thing Called Joe" de Cabin in the Sky – Música de Harold Arlen; Letra de E. Y. Harburg "My Shining Hour" de The Sky's the Limit – Música de Harold Arlen; Letra de Johnny Mercer "Saludos Amigos" de Saludos Amigos – Música de Charles Wolcott; Letra de Ned Washington "Say a Pray'r for the Boys Over There" de Hers to Hold – Música de Jimmy McHugh; Letra de Herb Magidson "They're Either Too Young or Too Old" de Thank Your Lucky Stars – Música de Arthur Schwartz; Letra de Frank Loesser "We Mustn't Say Goodbye" de Stage Door Canteen – Música de James Monaco; Letra de Al Dubin "You'd Be So Nice to Come Home To" de Something to Shout About – Música e letra de Cole Porter	Esta terra é miña – Stephen Dunn, RKO Radio Studio Sound Department Sahara – John Livadary, Columbia Studio Sound Department Madame Curie – Douglas Shearer, MGM Studio Sound Department Riding High – Loren L. Ryder, Paramount Studio Sound Department So This Is Washington – J. L. Fields, RCA Sound In Old Oklahoma – Daniel J. Bloomberg, Republic Studio Sound Department A estrela do norte – Thomas T. Moulton, Samuel Goldwyn Studio Sound Department Hangmen Also Die – Jack Whitney, Sound Service, Inc. The Song of Bernadette – E. H. Hansen, Fox Studio Sound Department Phantom of the Opera – Bernard B. Brown, Universal Studio Sound Department Saludos Amigos – C. O. Slyfield, Walt Disney Studio Sound Department Velaquí o exército – Nathan Levinson, Warner Bros. Studio Sound Department
Mellor dirección de arte, branco e negro	Mellor dirección de arte, cor
The Song of Bernadette – Dirección artística: James Basevi e William S. Darling; Decorados: Thomas Little Flight for Freedom – Dirección artística: Albert S. D'Agostino e Carroll Clark; Decorados: Darrell Silvera e Harley Miller Five Graves to Cairo – Dirección artística: Hans Dreier e Ernst Fegte; Decorados: Bertram Granger A estrela do norte – Dirección artística: Perry Ferguson; Decorados: Howard Bristol Madame Curie – Dirección artística: Cedric Gibbons e Paul Groesse; Decorados: Edwin B. Willis e Hugh Hunt Mission to Moscow – Dirección artística: Carl Weyl; Decorados: George J. Hopkins	Phantom of the Opera – Dirección artística: Alexander Golitzen e John B. Goodman; Decorados: Russell A. Gausman e Ira S. Webb The Gang's All Here – Dirección artística: James Basevi e Joseph C. Wright; Decorados: Thomas Little For Whom the Bell Tolls – Dirección artística: Hans Dreier e Haldane Douglas; Decorados: Bertram Granger Thousands Cheer – Dirección artística: Cedric Gibbons e Daniel Cathcart; Decorados: Edwin B. Willis e Jacques Mersereau Velaquí o exército – Dirección artística: John Hughes e Lt. John Koenig; Decorados: George J. Hopkins
Mellor fotografía, branco e negro	Mellor fotografía, cor
The Song of Bernadette – Arthur C. Miller Casablanca – Arthur Edeson Corvette K-225 – Tony Gaudio A estrela do norte – James Wong Howe Air Force – James Wong Howe, Elmer Dyer e Charles A. Marshall So Proudly We Hail! – Charles Lang Sahara – Rudolph Maté Madame Curie – Joseph Ruttenberg Five Graves to Cairo – John Seitz The Human Comedy – Harry Stradling	Phantom of the Opera – Hal Mohr e W. Howard Greene Hello, Frisco, Hello – Charles G. Clarke e Allen Davey Heaven Can Wait – Edward Cronjager Thousands Cheer – George Folsey For Whom the Bell Tolls – Ray Rennahan A cadea invisible – Leonard Smith
Mellor montaxe	Mellores efectos especiais
Air Force – George Amy Five Graves to Cairo – Doane Harrison Casablanca – Owen Marks The Song of Bernadette – Barbara McLean For Whom the Bell Tolls – Sherman Todd e John F. Link Sr.	Crash Dive – Fotografía: Fred Sersen; Son: Roger Heman So Proudly We Hail! – Fotografía: Farciot Edouart e Gordon Jennings; Son: George Dutton Stand By for Action – Fotografía: A. Arnold Gillespie e Donald Jahraus; Son: Michael Steinore Air Force – Fotografía: Hans F. Koenekamp e Rex Wimpy; Son:Nathan Levinson A estrela do norte – Fotografía: Clarence Slifer e Ray Binger; Son: Thomas T. Moulton Bombardier – Fotografía: Vernon L. Walker; Son: James G. Stewart e Roy Granville

Oscar honorífico editar

George Pal, "polo desenvolvemento de métodos e técnicas novidosas na produción de curtametraxes coñecidas como Puppetoons"

Irving G. Thalberg Memorial Award editar

Hal B. Wallis

Notas editar

↑ Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio (Revised ed.). Nova York: Oxford University Press. pp. 4–5. ISBN 978-0-19-507678-3. Consultado o 2019-09-19. The Academy Awards Show.

Predecesor: 15ª edición dos Óscar	Premios Óscar 16ª edición dos Óscar	Sucesor: 17ª edición dos Óscar

[Dunning-1] Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio (Revised ed.). Nova York: Oxford University Press. pp. 4–5. ISBN 978-0-19-507678-3. Consultado o 2019-09-19. The Academy Awards Show.

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