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Ficheiro:Promotional photograph of Helen Hayes.jpg

Promotional_photograph_of_Helen_Hayes.jpg ‎(441 × 585 píxeles; tamaño do ficheiro: 44 kB; tipo MIME: image/jpeg)

Descrición Promotional photograph of actor Helen Hayes (1940)
Data entre 1940
date QS:P,+1940-00-00T00:00:00Z/9,P1480,Q5727902
Orixe http://www.acertaincinema.com/browse/person/helen-hayes/?p1=17&p2=1&p3=1&p4=1
Autoría DescoñecidoUnknown author
Licenza
(Reuso deste ficheiro)
Public domain
Esta obra está no dominio público xa que foi publicada nos Estados Unidos de América entre 1929 e 1963, e aínda que puidese ter ou non un aviso de dereitos de autoría, os dereitos non se renovaron. Agás que o autor leve falecido o período de tempo requirido, mantén os dereitos de autoría naqueles países que non aplican a regra do período máis curto para obras nos Estados Unidos, como o Canadá (70 pma), China continental (50 pma, non Hong Kong ou Macao), Alemaña (70 pma), México (100 pma), Suíza (70 pma), e outros países con tratados individuais. Vexa Commons:Hirtle chart para máis explicacións.

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This is a publicity photo taken to promote a film actor. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.)"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."

Nancy Wolff, includes a similar explanation:

"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]
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Data/HoraMiniaturaDimensiónsUsuarioComentario
actual1 de maio de 2012 ás 06:27Miniatura da versión ás 06:27 do 1 de maio de 2012441 × 585 (44 kB)Celest.ru

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